Image Press

Become one with the camera Push the button regardless of the outcome so the camera becomes part of your hand. — Dean Saffron Hold your camera properly You might not know it, but there is a right way and a wrong way to hold a DSLR camera. The correct way is to support the lens by cupping your hand underneath it. This is usually done with the left hand, with your right hand gripping the body of the camera. This helps to prevent camera shake. If you are gripping your camera with your hands on either side of the camera body, there is nothing supporting the lens, and you might end up with blurry photos. To get an even stabler stance, tuck your elbows into the side of your body.  Limit your palette When photos have too many colours spewing out from them, they’re often hard to look at. Unless it’s a photo of a rainbow or the Mardi Gras. Try to focus on having one or two colours predominately featuring in your photograph. It will be more pleasing to the eye and will help set the tone of the im

Shade Shade can be your best friend. If there is no way you can make the available light work for your photo, shoot in the shade. You’ll get a nice even exposure with no patchy highlights throughout your shot.  Rule of Thirds This is one of the most common tips that pop up when it comes to improving your photos. To break it down, you cut your frame into thirds by using both horizontal and vertical lines. You then place your point of interest over the cross sections of the grid.  Exposure I’ve been shooting a lot of protests lately. Basically, they’re just a lot of people really close to one another; often moving. After having made many mistakes with getting my exposures right, I worked out that if the sun is behind me and in the face of protestors I will set exposure compensation to underexpose by a stop to bring out even tonal range. When the sun is behind the protestors I like to over expose just slightly to bring out the shadow details on their faces.  Don’t spend too much time pos

Shoot with your mind Even when you’re not shooting, shoot with your mind. Practice noticing expressions and light conditions. Work out how you’d compose a picture of that scene over there that interests you, and what sort of exposure you might use to capture it best.  Return the favor Always remember that if you are shooting people in a different country, they are probably doing you a favor by posing. So the least you can do is return this favor some way or another.  Have a camera on you at all times You can’t take great photos if you don’t have a camera on you, can you? DSLR, point-and-shoot or smart phone, it doesn’t really matter. As long as you have access to a camera, you’re able to capture those spontaneous and unique moments in life that you might have otherwise missed.  The golden hour Shoot portraits and landscapes in the golden hours — the light is softer and the colours are more vibrant. — Dean Bottrell  Keep it simple Don’t try to pack too many elements into your image; it

Be present This means make eye-contact, engage and listen to your subject. With the eyes – lower that camera and be human. Bring the camera up for a decisive shot. But remember to lower it, like you’re coming up for air, to check in with your subject. Don’t treat them like a science experiment under a microscope. Being there with your subject shows them respect, levels the playing field in terms of power dynamics, and calms them down. You’ll get much more natural images this way.  Shutter speed Being aware of your shutter speed means the difference between taking a blurry photo and a sharp photo. It all depends on what you are after. If you are shooting a sporting event or children running around in the backyard, you probably want your subjects to be in focus. To capture fast action you will have to use a shutter speed over 1/500th of a second, if not 1/1000th to 1/2000th. On the opposite end of the scale, you might want to capture the long streaks of a car’s tail lights running throug

Slow down Take time to think about what is going on in the viewfinder before pressing the shutter. How are you going to compose the shot? How are you going to light it? Don’t jump straight in without giving it some thought first. — Brad Marsellos  (Stop chimping (checking the photo on the back screen It’s a bad habit digital photographers can develop. Time and time again I see photographers take a photograph and then look at the back of the screen straight away. By doing that you could miss all the special moments. You can look at your photos later. You can miss ‘the shot’ and it affects the flow of your work, so just keep shooting! – Marina Dot Perkins The lovely Marina Dot Perkins is a news, travel and wedding photographer who worked for The Canberra Times and is now based in Newcastle.  chimping This is a technique to use when you want to draw attention to something in your photograph. By framing a scene or a subject, say with a window or an archway, you lead the viewer’s eye to th

Direct eye contact can be as engaging in a picture as it is in real life. When taking a picture of someone, hold the camera at the person’s eye level to unleash the power of those magnetic gazes and mesmerizing smiles. For children, that means stooping to their level. And your subject need not always stare at the camera. All by itself that eye level angle will create a personal and inviting feeling that pulls you into the picture.

Look your subject in the eye Use a plain background Use flash outdoors Move in close Move it from the middle Lock the focus Know your flash’s range Watch the light Take some vertical pictures Be a picture director

f/4 f/4 is my ‘go to’ aperture. If you use a wide aperture with a long lens (200mm-400mm) you’re able to separate the subject from the background. This helps them stand out. Works every time. — Peter Wallis Peter Wallis is a sports photographer extraordinaire, working for The Courier Mail in Brisbane.  You’ve got to be joking A well timed joke will always yield a more natural smile, than simply saying “smile” — Dean Bottrell Dean Bottrell is a Emerald based photographer who specializes in portraiture.  Buy books, not gear Having expensive camera equipment doesn’t always mean that you’ll take good photos. I’ve seen some absolutely amazing images shot with nothing more than a smart phone. Instead of having ten different lenses, invest in some fantastic photography books. By looking at the work of the masters, not only do you get inspired, you come away with ideas to improve your own photos.  Read your camera’s manual The best way to know what to do with your camera is to actually read

Use flash during the day You might think that you should only use flash at night time or indoors, but that’s not the case at all. If it is an extremely bright day outside and the sun is creating harsh shadows on your subject, switch on your flash. By forcing extra light onto your subject, you will be able to fill in those ugly shadows and create an even exposure.  ISO There are questions to ask yourself when deciding what ISO to use: What time of day are you shooting? If you are shooting outside during the middle of the day you will need to use a lower ISO such as 100 or 200. If you are shooting at night time without a tripod you will have to increase the ISO to a higher number to be able to record the light on the camera’s sensor. Will the subject be well lit? If your subject or scene is too dark you will need to use a higher ISO such as 800 or 1600. Do you want a sharp image or an image with more movement in it? Using a high shutter speed to capture fast movement might mean that you

Get in close It was the famous photojournalist Robert Capa who once said “If your photographs aren’t good enough, you’re not close enough.” He was talking about getting in amongst the action. If you feel like your images aren’t ‘popping’, take a step or two closer to your subject. Fill the frame with your subject and see how much better your photo will look without so much wasted space. The closer you are to the subject, the better you can see their facial expressions too. Shoot every day The best way to hone your skills is to practice. A lot. Shoot as much as you can – it doesn’t really matter what. Spend hours and hours behind your camera. As your technical skills improve over time, your ability to harness them to tell stories and should too. Don’t worry too much about shooting a certain way to begin with. Experiment. Your style – your ‘voice’ – will emerge in time. And it will be more authentic when it does. — Leah Robertson See the light Before you raise your camera, see where the